Costume design, for Conneely, extends the same material inquiry that runs through her studio practice — cloth as archive, character as entanglement of body and material. She works closely with directors and choreographers from early concept through fabrication, treating each production as its own material research.
Mirror Martyr Mirror Moon
National Gallery Bicentenary, BC200, Jesse Jones, 2024.
A collaboration with Jesse Jones as costume director and designer, developed for a film installation marking the National Gallery's Bicentenary shown alongside Artemisia Gentileschi's Self Portrait as Saint Catherine of Alexandria.
Mirror Martyr Mirror Moon, BC200, IKON Gallery, Jesse Jones, Alison Conneely costume designer for film 
The White Cave
Singapore Biennale, Jesse Jones, 2025.
Film and sculptural installation by Jesse Jones, in collaboration with Junk Ensemble
Costume Designer, Fabricator & Researcher
Designed and fabricated costume for a multi-media installation combining a sculptural latex & oyster installation, and 16mm film, commissioned by Singapore Art Museum.
AtLantis AtLand, Open Ear Festival 2026, Costume designer Alison Conneely, latex & oyster shells costume 
AtLantis AtLand
Open Ear Festival, 2026
A site-specific performance on Sherkin Island combining live vocals, electronics, and field recording, co-created by Stephanie Lamprea, Jesse Jones, and Alistair MacDonald, with scenography by Sara Murphy and costume by Alison Conneely. The third work in an ongoing collaboration spanning Mirror Martyr Mirror Moon and The White Cave, with a vinyl record due in 2027.